The Stephen Frearss film, Dirty Pretty Things, is a fictional tale that opens bingles eyeball to aspects of the real world that we never see. The artistic starting taper of the film appears to be a genuine outrage all over the conditions experienced by the most susceptible and oppressed layers of society, the a great deal boldnessless individuals who do the work we find ourselves above doing for ourselves: cab drivers, prostitutes, hotel workers, criminal and undocumented immigrants.
With the main character and many of the supporting roles playing unratified immigrants, the movie sheds light on levels of society that many of us are too naive to acknowledge. The quests of Okwe and Senay epitomize (to some extent) the ordeals go about by thousands of individuals every year seeking the fairytale life-time history that, supposedly, can only be found living in the West. In the United States alone, it is estimated that there are currently as many as 10 million undocumented foreign workers. In many cases, these workers attempts at a better life involve placing themselves in the hands of people smugglers, and unfortunately, for a significant bit this gamble proves fatal. Those that arrive in one piece face a bitter struggle to champion their precarious and vulnerable position in their new society, cautiously living under the reaches of the law.
The Frears flick shows what would appear to be genuine sympathy for these oppressed levels of the working class, and Dirty Pretty Things plays out an entertaining instalment of events in the lives of a number of characters as they struggle to maintain their existence as refugees and undocumented workers in London.
The motion prove also helps us in understanding more than one exemplification of literal commodification of the human body, a topic that has been brought up in several prior classes and discussions.
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